Works Cited


  • Jacques Attali. Noise, or The Political Economy of Music. Trans. by Brian Massumi. Minneapolis: U. of Minnesota Press, 1985, originally published in 1977.
  • Bukatman, Scott Terminal Identity: The Virtual Subject in Post-Modern Science Fiction. Durham, NC: Duke U. Press, 1993.
  • DeLauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: U. of Indiana Press, 1984.
  • Deleuze, Gilles Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: U. of Minnesota Press, 1987.
  • Fine, Jason. "The Truth About Trent." Option July/August 1994: 34-40.
  • Gold, Jonathan "Love it to Death." Rolling Stone 8 September, 1994: 50-54, 88.
  • Hilburn, Robert. "Natural Born Thriller." Los Angeles Times 2 October, 1994, Calendar: 8-9, 71-74.
  • Kroker, Arthur. Spasm: virtual reality, android music, electric flesh. New York: St. Martin's Press, 1993.
  • Kroker, Arthur and Michael A. Weinstein. Data Trash: The Theory of the Virtual Class. New York: St. Martin's Press, 1994.
  • Lacan, Jacques. The Four Fundamental Concepts of Psycho-Analysis. Trans. Alan Sheridan. New York: W.W. Norton & Co., 1981.
  • Nine Inch Nails. Pretty Hate Machine. TVT 2610-2, 1989.
  • --, Broken. TVT/Interscope 92213-2, 1992.
  • --, The Downward Spiral. TVT/Interscope 92346-2, 1994.
  • Re/Search: Industrial Culture Handbook. San Francisco: Re/Search Publications, 1983.
  • Ronell, Avital. The Telephone Book: Technology, Schizophrenia, Electric Speech. Lincoln, NE: U. of Nebraska Press, 1989.
  • Scarry, Elaine. The Body in Pain: The Unmaking and Making of the World. New York: Oxford U. Press, 1985.
  • Thompson, Dave. Industrial Revolution. Los Angeles: Cleopatra, 1994.
  • Various Artists. Natural Born Killers. Produced by Trent Reznor. Nothing/Interscope 92460-2, 1994.
  • Weisbard, Eric. "Piggy Fucker." Village Voice 5 April, 1994: 83-4.

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